用內容,成就觀眾的你、藝術的真、票房的喜
彼此心照不宣,似乎是高艷津子樂於追求的,這“彼此”既然包括她與主創之間、與舞者之間、
打從創意之初,《歌劇玩偶》就有意對歌劇傳統進行顛覆。如西爾葉所言:“如今,在如何保有
“There is a lot of energy being invested right now into preserving opera and keeping opera alive, which I think is misguided
這版《春之祭》在形而上和形而下層面,都深究到了極致,因此很難想像,楊麗萍的下一部作品
10月14日傍晚,昆明的天氣突然轉晴了,落日餘輝散盡後,天空中竟現出朵朵雲影來,其間,還
在圈內外,她一直被尊稱為“小梅老師”,可以說,《日記VI·謝幕……》為此做了註腳。我們
The tour of Dream of the Red Chamber in China involved nearly 300 people from more than 10 countries and regions, covering a d
“假如沒有寫這部歌劇,我們也不會聚在這裡,付出這麼多……”
如果說,奧斯維辛集中營的物證,記錄著上百萬受難者如何被強行剝奪行李、大衣、頭髮、財物
“I want to guide all the ordinary people into the world of theater, spiritual richness and nobility.” Wang Xiang asserted
The first half of the concert closed in the Moonlight. Apart from the popularity of the piece in China, Ortiz might not have k
Today after over a century has passed, the local residences are benefitting from the discovery more and more, not only in the
這座古園,原為明清帝王祭神祀天的地方,4月30日晚北方崑曲劇院的演出,就在這園內的音樂堂
4月9日晚匯聚於此的人們,是為了歌劇,更確切的說,是為了一部誕生在182年前意大利兩西西里
亦真亦幻的戏,亦真亦幻的“蓬蒿”……这个位于南锣鼓巷一隅、毗邻中戏的小剧场,究竟是确